Curriculum Vitae: Anne Ramsden

Born Kingston, Ontario. Lives on Gabriola Island, British Columbia, traditional and unceded territory of Snuneymuxw First Nation.

A printable PDF of Anne's CV is available.

Solo Exhibitions

2023	From its home of clay, Gabriola Arts and Heritage Centre, Gabriola, BC.
2019	Le temps qu'il faut/The Time It Takes, Occurrence, Montréal
2017	Les objets dans le miroir sont plus près qu'ils ne paraissent/Objects in mirror are closer than they appear, Artexte, Montréal.
2016	Metal Objects, La Vitrine, Montréal.
2010	La Collection et le quotidien, Galerie SBC, Montréal.
2007	La Collection et le quotidien, Musée de Rimouski, Qc.
2005	Anastylosis: Photographs, Leo Kamen Gallery, Toronto.
2004	Telling Objects, Vestlandske Kunstindustrimuseum, Bergen, Norvège.
2004	Anastylose : photographies, Galerie Art Mûr, Montréal.
2002	Anastylosis : Inventory, Southern Alberta Art Gallery, Lethbridge.
2001	Winter Garden, Swamp ward Window Project, Kingston, On.
2001-2002	Expose, 8 installations-vitrine, Artexte, Montréal.
2000	Anastylose : un inventaire, Galerie de l’Université du Québec à Montréal.
2000	Anastylose : un inventaire, Centre culturel de l’Univ. de Sherbrooke.
1999	Anastylosis : Childhood, Catriona Jeffries Gallery, Vancouver.
1998	Patina, Musée de Rimouski, Rimouski, Québec.
1997	Possession, Catriona Jeffries Gallery, Vancouver.
1996	Galerie Samuel Lallouz, Montreal.
1994	Residence, Oakville Galleries, Oakville, Ont.
1992	Blind Spots, Front Gallery, Vancouver.
1990	Urban Geography, Mendel Art Gallery, Saskatoon.
1990	Urban Geography, UBC Fine Arts Gallery, Vancouver.
1990	Relations, Galerie Dazibao, Montréal.
1988	Relations, Artspeak Gallery, Vancouver.

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Group Exhibitions

2023	Des territoires sous observation/Territorios bajo observacion, Museo Raul Anguiano (Festival Cultural de Mayo), Guadalajara, Mexico and Museo de Arte de Querétaro, Querétaro, Mexico.
2021	Rain Shadow, Nanaimo Art Gallery, Nanaimo BC.
2021	Pandemical Loneliness, Agnes Etherington Art Gallery, Kingston, On.
2020	Garden Studies, Agnes Etherington Art Gallery, Kingston, On.
2018	Ampersand, Gibsons Public Art Gallery, Gibsons, BC.
2018	GLUT, Belkin Art Gallery, Vancouver.
2017	The Hold, Agnes Etherington Art Centre, Kingston.
2016	Stare, Vancouver Art Gallery
2016	L'état des choses, Musée de Rimouski, Rimouski.
2015	Melancholy Bay, Belkin Art Gallery, Vancouver.
2015	Through A Window, Simon Fraser University Galleries, Vancouver.
2015	Sous-exposées, Galerie d'art Stewart Hall, Montréal.
2014	Hibernus, John B. Aird Gallery, Toronto.
2014	Selective Memory: Artists in the Archive, Glucksman Gallery, Cork, Ireland.
2014	Porcelain: Breaking Tradition, Division Gallery, Arsenale, Toronto.
2013	De la porcelaine à l'oeuvre, Galerie Art Mûr, Montréal.
2012	Duo avec Laurent Craste, Galerie SAS, Toronto Art Fair.
2012	Possession, Galerie SAS, Montréal.
2012	An Unregarded Art, Oakville Galleries, Oakville, On.
2011	It takes everyone to know no one, Justina M. Barnicke Gallery, Toronto.
2010	Expansion, Galerie de L'UQÀM, Montréal.
2009	Préoccupations: Photographic Explorations of the Grey Nuns Mother House, FOFA Gallery, Concordia University, Montréal.
2009	Spaces of the Image, Mois de la Photo de Montréal, 2009, Montréal.
2008	Leo Kamen Gallery, Toronto.
2007	Limits of Tolerance, Centre A, Vancouver
2007	Backlot, Belkin Satellite, Vancouver.
2007	Libre-échange, Galerie de l’UQAM, Montréal.
2006	Addressing Oakville, Oakville Galleries, Oakville, Ontario.
2005	Butins, musées et autres curiosités, Galerie Horace, Sherbrooke, Qc.
2004	Past Imperfect, Wignall Museum/Gallery, Rancho Cucamonga, California.
2002.	Past Imperfect, Kenderdine Art Gallery, Saskatoon
2001	Museopathy, Agnes Etherington Art Centre, Kingston, Ont.
2000	Image and Light, History and Influence, Charles H. Scott Gallery, Vancouver.
2000	Intercept : Contemporary Works, Agnes Etherington Art Centre, Kingston.
2000	Human Nature, Vancouver Art Gallery.
1999	Recollect, Vancouver Art Gallery.
1999	Possession, Catriona Jeffries Gallery, Vancouver.
1999	Women Making Pictures, Oakville Galleries, Oakville, Ontario.
1999	Musée des beaux-arts du Canada, Ottawa.
1999	Blue, Nickel Arts Museum, Calgary.
1998	Catriona Jeffries Gallery, Vancouver
1997	Sur l'expérience de la ville: interventions en milieu urbain, Galerie Optica, Montréal.
1997	Vancouver Perspectives, Taipei Fine Arts Museum,Taiwan.
1997	The View from Here, Oakville Galleries, Oakville, Ontario.
1997	Road Movies in a Post-Colonial Landscape, Portland Institute for Contemporary Art, Portland, Oregon.
1996	Vancouver Perspectives", Yokohama Civic Gallery, Yokohama, Japan.
1996	Catriona Jeffries Gallery, Vancouver.
1996	Digital Investigations", SFU Harbor Centre Gallery, Vancouver.
1996	Interventions, Burnaby Art Gallery, Burnaby, B.C.
1995	Galerie Samuel Lallouz, Montréal.
1994	Corpus", Oakville Galleries, Oakville, On.
1993	Social Studies/Still Lives", Mois de la photo, Montréal.
1993	Corpus, Walter Phillips Gallery, Banff, Alt.
1993	Corpus, Mendel Art Gallery, Saskatoon, Sask..
1992	Standard Stopages, Cathedral Place, Vancouver.
1991	Public Domain, Contemporary Art Gallery, Vancouver.
1991	Un archipel de désirs: Les artistes du Québec et la scène internationale, Musée du Québec, Québec, Qc.
1991	Legitimation, Galerie Vu, Québec, Qc.
1991	Legitimation, London Regional Art Gallery, London, On.
1990	Artropolis, Vancouver, B.C.
1990	Legitimation, Nickle Arts Museum, Calgary, Alt.
1990	Legitimation, Contemporary Art Gallery, Vancouver, B.C.
1990	Transpositions, Vancouver Skytrain System, Vancouver, B.C.
1989	Legitimation, Galerie Powerhouse, Montréal.
1989	Rebel Girls, Vancouver Art Gallery, Vancouver, B.C.
1989	Rebel Girls, National Gallery of Canada, Ottawa, On.
1988	Canadian Narrative Video, MoMA, New York.
1988	AdVerse Practices, exposition d’art public, Vancouver, B.C.
1987	Active Process, Presentation House, Vancouver, B.C.
1986	Centre Culturel Canadien, Paris.
1986	E.L.A.C., Lyon.
1985	Fascination with the Other, A.R.C., Toronto.
1985	Visual Facts, Third Eye Centre, Glasgow.
1985	Visual Facts, Graves Art Gallery, Sheffield.
1985	Visual Facts, Canada House, London.
1985	Holland Festival, Time Based Arts, Amsterdam.
1985	Nudité et sexualité en photographie, Dazibao, Montréal.
1985	Video Biennale: Feminist Video, Wein.
1984	Video 84, Montréal.
1984	Féministe toi-même, féministe quand-même, La Chambre blanche, Québec.
1984	Video Refractions, London Regional Art Gallery, London, Ontario.
1984	Vérifications, Galerie Optica, Montréal.
1983	Appearing, Mount Saint Vincent Art Gallery, Halifax, N.S.
1983	Video the Accessible Art, Krannert Art Museum, Champaign, Illinois.
1983	Common Objects-Different Modes, The Photographer's Gallery, Saskatoon, Sask.
1983	Common Objects-Different Modes, Eye Level Gallery, Halifax, N.S.
1983	New Narrative, Museum of Modern Art, New York.
1983	Coaxing the Cable, Open Space Gallery, Voctoria, B.C.
1983	Kunstler Aus Kanada, Kunstlerhaus Stuttgart, Stuttgart.
1983	OKanada, Berlin Kunstakademie, Berlin.
1982	Semaine de la vidéo féministe québecoise, Musée d'art contemporaine, Montréal.
1982	Vidéo Vehicule, Galerie Vehicule, Montréal.

Bibliography

2023	Hakim, Mona, Des territoires sous observation/Territorios bajo observacion, Galerie Occurrence, Montréal.
2022	"Sonic Lab #3: The History of Artexte", a conversation between Mojeanne Behzadi and Lesley Johnstone, Angela Grauerholz, Francine Périnet, Anne Ramsden, Artexte, December 02, 2023.
2020	Beginning With the Seventies, Lorna Brown, p. 30, p. 47. , Morris and Helen Belkin Art Gallery, Vancouver, B.C.
2019	Perrault, Marie, "Anne Ramsden: Le temps qu'il faut", Occurence, 2019.
2017	Ritter, Kathleen, "Vancouver 1989: Kathleen Ritter in conversation with Lorna Brown et al", Desire Change, McGill-Queen's UNiversity Press and Mawa, Montreal & Kingston, London, Chicago and Winnipeg.
2015	Sloan, Johanne, "Relations, 1988: Postmodern, Photographic, Feminist", Journal of Canadian Art History, Volume XXXVI:1, 2015.
2014	Régimbald-Zeiber, Monique, "Filiations: Prise 1", Spirale, no. 247, Hiver 2014.
2014	Tousignant, Isa, "Porcelain: Breaking Tradition", Canadian Art Magazine, Spring 2014.
2013	Manolo, Brigitte, "Éclats vivants de porcelaine", Voir, le 17 novembre 2013.
2013	Clément, Éric, "De la porcelaine à l'oeuvre: le récit actuel de la céramique", La Presse, l1 21 novembre, 2013.
2013	Delgado, Jérôme, "Casser une noble image", Le Devoir, le 16 novembre,2013.
2013	Townsend-Gault, Charlotte, Kramer, Jennifer and Ki-ke-in, editors, Native Art of the Northwest Coast: A History of Changing Ideas, UBC Press, Vancouver.
2010	Baert, Renee, "Of Other Sites", Feminisms Is Still Our Name, ed. Malin Hayden & Jessica Skrubbe, Cambridge Scholars Publiching, Newcastle upon Tyne, 2010.
2009	Langford, Martha, Préoccupations: Photographic Explorations of the Grey Nuns Mother House, FOFA Gallery, Concordia University, Montréal.
2009	Morel, Gaëlle, The Spaces of the Image, Mois de la Photo, Montréal.
2008	Beaupré, Marie-Ève, Libre ‹ échange. Extraits de la collection de l’UQAM,. Galerie de l’UQÀM, Montréal, Qc.
2008	Charron, Marie-Ève, "Études sur le quotidien", Le Devoir, 12/13 janvier
2007	Perrault, Marie, Anne Ramsden : La collection et le quotidien, Musée de Rimouski, Rimouski, Qc
2007	Gogarty, Amy, "Remediating Craft", in Utopic Impulses : Contemporary Ceramics Practice, Ronsdale Press, Vancouver, 2007.
2007	O’Brien, Melanie, "The Anastylosis Project", in Utopic Impulses : Contemporary Ceramics Practice, Ronsdale Press, Vancouver, 2007.
2007	Laurence, Robin, "Vancouver loses its identity in The Backlot", Georgia Straight, 08/03/2007.
2007	Fisher, Jennifer, "Exhibitionary Affect", n. paradoxa, Vol. 19, January 2007. Londres.
2006	Chambers, Ruth, "Installation-Towards Self-definition", Ceramics :Art and Perception, No. 65, Sydney, Australia.
2004	Arbour, R-M, "Féminin pluriel et féminismes en arts visuels au Québec, Esse, printemps/été.
2003	Fisher, Jennifer, Anastylosis :Inventory, Installation and Photographs, "Ready Unmades", Southern Alberta Art Gallery, Lethbridge, Alta.
2002	Drobnick, Jim and Fisher, Jennifer, Museopathy, Agnes Etherington Art Centre en association avec DisplayCult.
2002	Tousley, Nancy, "Sympathy, Empathy, Museopathy", Canadian Art, Vol. 19, No.1.
2001	Mizgala, Johanna, "Compulsive Consumption", Fuse Magazine, Vol 23, no.3.
2000	Watson, Petra, "Plate Full", Canadian Art, Vol. 17, no. 1,.
2000	Lacroix, Laurier et Ramsden, Anne, Anastylose : un inventaire , Centre culturel de l’Université de Sherbrooke.
1999	Fraser, Marie et al, Sur l’expérience de la ville, Interventions en milieu urbain, Galerie Optica, Montréal.
1999	Baert, Renee, "Three Dresses, Tailored to the Times", dans Material Matters : The Art and Culture of Contemporary Textiles, réd. Ingrid Bachmann & Ruth Scheuing, Toronto, YYZ Books.
1999	Sowiak, Christine, Blue, Nickle Arts Museum, Calgary, Alt.
1998	Perreault, Marie, Patina, Musée régional de Rimouski, Rimouski, Qc.
1996	Meier, Rhonda, "Anne Ramsden, Galerie Samuel Lallouz", C Magazine, Oct./Nov.,
1996	Bellerby, Greg, Vancouver Perspectives, Yokohama Citizen’s Gallery, Yokohama, Japan.
1996	Couelle, Jennifer, "Communiquer à mots tus", Le Devoir, 10 mars.
1996	Watson, Petra, Digital Investigations, SFU Harborcentre, Vancouver, B.C.
1996	Interventions, Burnaby Art Gallery, Burnaby, B.C., essai: Lisa Robertson.
1994	Bellavance, Guy, "Anne Ramsden", Parachute, no. 76., oct/nov/déc.
1994	Taylor, Kate, "Bodies of Evidence", Globe and Mail, July 23.
1994	Pakasaar, Helga, Residence, Oakville Galleries, Oakville, On.
1993	Mastai, Judith, "Blind Spots", Parachute 69, Hiver 1992/93.
1992	Greenberg, Reesa, De la curiosité: petite anatomie d'un regard, Galerie Dazibao, Montréal, Qc.
1992	Gravel, Claire, "Outillages critiques", les herbes rouges, numéro 197.
1991	Laurence, Robin, "Public Domain", Georgia Straight, Volume 25, n.1231.
1991	Déry, Louise, Un archipel de désirs:Les artistes du Québec et la scène internationale, essai: Musée du Québec, Québec, Qc.
1991	Perron, Mireille, "Legitimation", C Magazine, p.53, Spring.
1991	Andrae, Janice, "Legitimation", Parachute 61, p.67.
1990	Glowen, Ron, "Selecting Diversity", Artweek, November 8, Vol. 21, No.17, p.15-16.
1990	Campeau, Sylvain, "Urbain de juvence", Etc Montréal, Numero 12, sept., p.53-54.
1990	Gravel, Claire, "Blain, Ramsden, Bernier, Blackburn: Les grands perturbateurs", Le Devoir, 13 janvier.
1989	Baert, Renée, Legitimation, Galerie Powerhouse, Montréal, Qc.

Publications (by the artist)

2020	"Collection of the Artist", Now Bulletin, ed David MacWilliam, Griffin Projects, Vancouver, B.C.
2014	Filiations Prise1, Spirale #247, Hiver 2014.
2002	Artist's project, Angelaki Vol. 7 No. 1, Routledge, London.
2001	Cover pages, PUBLIC, no. 21, 2001
2000	"Anastylosis" in Anastylose : un inventaire , Lacroix, Laurier et Ramsden, Anne, Centre culturel de l’Université de Sherbrooke, Qc.
1999	"Friday", in So, to Speak, Artextes Editions, Montréal, Qc.
1995	Artist's project, Collapse, vol. 1 no. 1, Vancouver, B.C.
1990	Urban Geography, UBC Fine Arts Gallery, Vancopuver, B.C.
1989	"Between Signifiers", Front Magazine, Vancouver, septembre.
1988	Oceania/Océanie (artists' book), Artextes, Montréal, Qc.
1986	"Cinémama", La vie en rose, mars.
1981	"Photographing Industrial Architecture: An Interview with Hilla and Bernd Becher", collaboration with Angela Grauerholz, Parachute, no. 22, printemps.
1980	"Recent Paintings by Shirley Wiitasalo", Parachute, no. 17, hiver.
1979	"It Ain't What You Make, It's What Makes You Do It: An Interview with Dennis Oppenheim", Parachute, no. 9.

Videography

Manufactured Romance:

Part One-Chance For Love, 30 min., 1982.
Part Two-Beauty, Passion and Power, 20 min., 1983.
Part Three-Emotional Ground, 15 min., 1985.

Our Mission..., 9 min., 1981.

Mmmmmm, 21 min., 1981.

New Freedom, 13 min., 1981.

Residencies

2016	Artexte, Montréal.
2001	The Sixth Annual Nora Vaughan Sculpture /Installation Residency, OCAD University, Toronto, Ontario.
1993	Cité internationale des arts, Paris.
1993	Oakville Galleries, Oakville, Ontario.
1990	Western Front, Vancouver.
1986	The Banff Centre, Leighton Colony, Banff, Alberta.

Collections

Musée d'art contemporain de Montréal
SFU Galleries, Vancouver
Musée de Rimouski
Morris and Helen Belkin Art Gallery, Vancouver
Art Gallery of Nova Scotia, Halifax
Galerie de l’UQÀM, Montréal
Vancouver Art Gallery
Agnes Etherington Art Gallery, Kingston, On.
Carlton University Art Gallery, Ottawa
Burnaby Art Gallery, Burnaby, BC
Banque d’oeuvres d’art du Conseil des Arts du Canada
Musée des beaux arts du Canada
Akademie der Kunste, Berlin
Centre Culturel Canadien, Paris
Musée de Joliette, Qué.
Oakville Galleries, Oakville, On.
Collections privées/private collections

Community Involvement

2022	Nanaimo Art Gallery Community Round Table.
2018	Nanaimo Art Gallery Visitor Experience Focus Group.
2016	Membre du jury, Bourse Desjardins, Conseil des arts de Longueil
1999-2009	Membre, Conseil d’administration, Artexte, Montréal.
1999	Membre du jury de la séction vidéo, Rendez-vous du cinéma Quèbecois.
1995	Coordinator and instructor, "Imaging/Visioning Image: Digital Imaging and Theories of Photography", Summer intensive at SFU, with Johanne Lamoureux (Université de Montréal) et W.J. Mitchell (M.I.T.).
1994	Jury member, Concorde Pacific Public Art Competition, Vancouver.
1994	B Grant Jury, Visual Art, Canada Council.
1991	Project and B Grant juries, Video, Canada Council.
1990-93	Member of the Board of Directors, Vancouver Art Gallery.
1989	Coordinator and instructor, "Imaging/Visioning Image: Digital Imaging and Theories of Photography", Summer intensive at SFU, with Johanne Lamoureux (U. de M.) and W.J. Mitchell (M.I.T.).
1988-90	Magazine Committee, English Language, Canada Council.
1986	Video and International Artists Program juries, Canada Council.
1980-87	Co-founder, Treasuer, Centre d'information Artexte, Montréal.
1981-82	Présidente, Conseil d’administration, PRIM Vidéo.

Grants and Awards

2020	B.C. Arts Council Project Assistance.
2014	Bourse de voyage, CALQ.
2010	Bourse de recherche (PAFARC), l’UQÀM.
2007	Bourse du CIAM.
2006	Bourse de recherche (PAFARC), l’UQÀM.
2004	Bourse de recherche (PAFARC), l’UQÀM.
2001	Bourse Type A, CALQ.
2000, 1998	Bourse de recherche (PAFARC), l’UQÀM.
1996	B Grant, Visual Art, Canada Council.
1994	Joseph S. Stauffer Prize, Canada Council.
1993	Paris Studio and B Grant, Visual Art, Canada Council.
1990	B Grant, Visual Art, Canada Council.
1990	B.C. Film Production Grant.
1987	B Grant, Visual Art, Canada Council.
1986	B Grant, Video, Canada Council.
1984	Short Term and Travel Grants, Video, Canada Council.
1983	Bouse de soutien à la création du Ministère des Affaires Culturelles du Québec.
1983, 1982	Video Production Grants, Canada Council.

Employment (academic and other)

2022	Making Waves, Artist Presentation, Nanaimo Art Gallery.
2021	Workshop "Nature in the City" via Zoom, Nanaimo Art Gallery.
2020	Roundtable via zoom, in conjunction with NOW, Griffin Projects, Vancouver.
2020	Artist presentation, Vancouver Island University, Nanaimo.
2019	Workshop "What are gnerations?", Nanaimo Art Gallery.
2018	Round Table, Gibsons Public Art Gallery, Gibsons, B.C.
2017-	Professeure associée, École des arts visuels et médiatiques, UQÀM.
2004-2005	Guest artist-professor, Vermont College, M.A. Program.
2003-2004	Guest instructor, Bergen Academy of Art and Design.
1998-2017	Professeure, École des arts visuels et médiatiques, UQÀM.
1987-98	Associate Professor, School for the Contemporary Arts, SFU, Vancouver.
1984-87	Sessional instructor, Department of Fine Art, Concordia University, Montréal.
1980-87	Co-founder, Co-director, Centre d’information Artexte, Montréal.
1980-82	Editorial assistant, Parachute, revue d'art contemporain, Montréal.